Kind of Blue: How Miles Davis Changed Jazz - YouTube.

Kind Of Blue, released the following year, took the idea and developed it to an astounding degree. Its smoky evocation of late night ambience is a byword for laid back elegance. It uses the blues.

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Miles Davis Flamenco Sketches Analysis Essay

BBC - Music - Review of Miles Davis - Kind Of Blue.

Bill Evans wasn’t new to Miles Davis’s groups at the time of Kind Of Blue, he had actually left the group which he started playing in, in 1958. As for the name swap, it is known that there was a discrepancy between the liner notes written by Bill Evans and the titles as printed on the first edition of the LP. These two titles had been swapped on the LP cover, it has been rectified later.

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Miles Davis Flamenco Sketches Analysis Essay

Miles Davis: All Blues Essay Sample.

Miles Davis had little use for jazz recordings, least of all his own. At home he might have a Rachmaninoff concerto on his stereo or a score of Tosca on his piano, as bandmates and intimates have reported. Davis’ dismissive take on Kind of Blue allowed him to concentrate fully on the next gig, the next studio session, and the next career turn.

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Miles Davis Flamenco Sketches Analysis Essay

Kind Of Blue Deluxe 50th Anniversary Collector's Edition.

Miles Davis was at a musical peak in the 1950s and had been preparing the ideas that would become Kind of Blue for years. A year before the recording, Davis slipped Bill Evans a piece of paper on.

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Miles Davis Flamenco Sketches Analysis Essay

History of Rock 'N Jazz: Kind of Blue-Miles Davis Essay.

Miles Davis' The Original Mono Recordings Collects Nine Of Miles' Earliest Columbia Albums, Recorded 1956 To 1961 Landmark box set presents nine albums remastered in original, brilliant sound, as.

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JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most.
Miles Davis Flamenco Sketches Analysis Essay
ALL BLUES Miles Davis - Education Village.

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Miles Davis Flamenco Sketches Analysis Essay
Why Miles Davis' Kind of Blue is so great.

So, too, was the bogus flamenco of Saeta and Solea, although these were solo vehicles for Davis in which Evans had little part. The last three items are on the Sketches of Spain LP, but an altogether finer expression of Evans's taste for Iberian music is Lotus land, a track on the Guitar Forms record that he made with Kenny Burrell (American Verve MGV8612).

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Miles Davis Flamenco Sketches Analysis Essay
So What (Miles Davis composition) - Wikipedia.

Miles Davis-Boplicity, Summertime, So What, Flamenco Sketches, Masquelero. John Coltrane-The Promise, Giant Steps. Sonny Rollins-Blue Seven. Dave Brubeck-Blue Rondo A La Turk. Bill Evans-Solar. Ornette Coleman-Lonely Woman, Civilization Day. Chick Corea-Steps. Herbie Hancock-Maiden Voyage. Pop Song Listening List(for the final) Identifying these pieces will constitute about 40% of the midterm.

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Miles Davis Flamenco Sketches Analysis Essay
Miles Davis’ Kind of Blue: Blues Clues - JazzTimes.

An ideal essay would feature a strong blend of historical facts about the Civil Rights Movement (eg from the lectures and PDFs) with an original analysis of the albums. This could be done with pages 1-2 about civil rights history and pages 3-4 as an album analysis. Or it could be interwoven, where you creatively blend the discussion of the various songs with examples of legislation, protests.

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Miles Davis attended Juilliard for at least a year (1944-45), and Phil Woods graduated from Juilliard with a Bachelor of Music degree in 1952. Many more jazz musicians learned the same content of a standard college music education in the Army and Navy schools of music. Musicians who weren’t fully enrolled in a music college program were often taking lessons at music schools like Granoff in.
Miles Davis Flamenco Sketches Analysis Essay

Naming of Names: “Flamenco Sketches” or “All Blues.

Miles Davis started his career as a bebop musician and sideman to Charlie Parker. Davis invented a slower, more sedate, contemplative and relaxed style of jazz where the timbre was lush (muted trumpet, soft instruments like vibes or french horn) and the vibe was coooool. Listen to Flamenco Sketches by Miles Davis: and then Dianna Krall's 90s version of cool jazz (now called Smooth Jazz.

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Miles Davis Flamenco Sketches Analysis Essay

Miles Davis and the Making of Bitches Brew - JazzTimes.

Riese. Riese is the 37-year-old CEO, CFO and Editor-in-Chief of Autostraddle.com as well as an award-winning writer, blogger, fictionist, copywriter, video-maker, low-key Jewish power lesbian and.

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Miles Davis Flamenco Sketches Analysis Essay

Miles Davis: Kind of Blue - All About Jazz.

Miles Davis at Fillmore is a 1970 live album by jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes.

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Miles Davis Flamenco Sketches Analysis Essay

Miles Davis - Kind Of Blue - Amazon.com Music.

Building on poet Elizabeth Alexander’s rumination on interiority in her 2004 essay collection, The Black. I heard it between Alice Coltrane’s keys and in the alternate take of Miles’s “Flamenco Sketches” and in the space John Coltrane left on A Love Supreme. I heard it when somebody white said I was good at something for a black person. I heard it in Pete Rock and C. L. Smooth’s.

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Referential sets, referential tonics, and the analysis of contemporary jazz: Creator: Cook, Scott Alexander: Publisher: University of British Columbia: Date Issued: 2012: Description: While jazz has become more integrated into academia, the repertoire that is commonly examined is out of date. Today's leading jazz scholars tend to focus on a.

Miles Davis Flamenco Sketches Analysis Essay
NPR's Jazz Profiles: Miles Davis Kind of Blue.

ALL BLUES - MILES DAVIS All Blues is a member of pieces from 'Kind of Blue'. There are five pieces, entitled All Blues, Blue in Green, So What, Freddy Freeloader and Flamenco Sketches. The recording features Miles Davis on trumpet, Julian 'Cannonball' Adderley on alto sax, John Coltrane on tenor sax, and a rhythm section made up from Paul Chambers, James Con, Bill Evans and Wynton Kelly. This.

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